Showing posts with label Washington DC. Show all posts
Showing posts with label Washington DC. Show all posts

Inside the Department of Justice with the ICAA

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Last week I had the pleasure of setting up an exclusive inside look at the Department of Justice for the ICAA. It definitely did not disappoint and now I get to take all of you inside as well!
Passing along the national mall one sees massive classical buildings which house different branches of our government but do you ever wonder what they look like inside?
Inside the Department of Justice, known as the Robert F Kennedy Building, one is surprised to find an amazing art deco interior behind a rather staid classical facade dating to 1934. Some of the aluminum details on the exterior however give hints at what is to come.
Our tour started on the 3rd floor elevator vestibule. This is really the main level where the important offices are located as well as the law library used by the large staff of lawyers.
The multi-colored aluminum-leafed barrel-vaulted ceiling tops an astounding streamlined classical room filled with art.  12 panels in the frieze by Henry Kreis from 1933 depict the 12 regions of the country.
One end of the hall has limestone statues by C. Paul Jennewein and Roger Morigi depicting the 4 elements (earth, air, water, and fire).
 Even the aluminum elevator doors are works of art.
 Not to mention the coordinating radiator cover!
The wood paneled library features 20 unusual murals depicting the 'Search for Truth' in the frieze by Maurice Sterne which weren't completed until 1941.
 My favorite thing in the library were the 2 aluminum lamps flanking the reference desk.
 The 4 seasons are depicted on the sides of the lamp - this sheaf of white and sickle for autumn.
 Many of the columns and pilasters feature this superb marquetry woodwork.
Librarian offices in the rear on a metal mezzanine show the namesake of the building, Robert F Kennedy.  The original painting decorates the hallway outside of the Attorney General's office.
 Here is the original painting from 1975 by Aaron Shikler.
 The hallways are simpler but still pack a lot of style.
 The aluminum light fixtures throughout the building are all different and each one a work of art.
 Aluminum leafed medallions are above each limestone door surround.
 Even the doors are beautiful!
 The ends of the hallways have the important office suites of the Attorney and assistant Attorney Generals.
The typical offices are quite large with beautiful plaster mouldings (with rather ugly curtains) and tall ceilings important with the extreme summer heat of Washington.
 Heading downstairs to themain level lets you appreciate the details found in the murals.
 Like these chickens!
 The vestibule on the main piano nobile level leads into the Great Hall and features the same stunning detail found throughout.
 The aluminum guardrails feature the Lotus blossom.
 One of many murals even featured architects at work so I had to take a quick snapshot.
 Four large cast aluminum urns on limestone plinths by C. Paul Jennewein depict Fortitude, Prudence, Temperance, and Justice.
 I just love these 30s light fixtures and the stepped crown moulding.
 The most famous room in the building is the Great Hall where press conferences are held.
Flanking each side of the stage are enormous 12 1/2 feet tall cast aluminum statues depicting The Spirit of Justice and The Majesty of Law also by C. Paul Jennewein.
 This should look familiar to most people!
Oddly enough lining the Great Hall are bank teller windows.  Originally employees were paid in cash on a weekly basis. Each Friday afternoon they could gather their weekly pay on the way out the door.
 I love the stone radiator covers which look like classical Roman furniture.
 The hallway walls are clad in limestone and the ceilings feature beautiful polychrome and aluminum decoration; And lots of trash cans for whatever reason!
 The main stair leads down to the ground level; more lotus blossoms on the guardrail.
18 panels surround the stairs by the artist Boardman Robinson and depict the great codifiers of the law.
 These large murals are on canvas and cover over 1,025SF of wall space. In 1935 he was paid $20,000 for these.
 The marvelous detailing continues in the vestibule with these lotus leaf grilles hiding the radiators.
 My favorite 'room' of the building however is probably the main central courtyard.
Large cherry trees were sadly removed a few years ago because they were causing damage to the parking garage below -but it's still a marvelous space.
The courtyard was little used until the 1960s when Robert Kennedy had lawn furniture installed; Aluminum naturally.
 38 aluminum light fixtures surround the courtyard as well flank as the exterior entrances and stand 7 1/2 feet tall!
I can't stress how large this interior space is; check out the scale of our tour group above for reference.
Unfortunately one of the most fun details of the building isn't visible from the ground;  The roof tiles are multicolored terra cotta and include 1,100 polychromed antifixae which act as snowguards. This one above is on view in the library which was removed and replaced during a recent renovation.
 The original aluminum sash windows are a beautiful detail.
If you're in the DC area please make sure to check out our events page on our ICAA website HERE.

Inside John Russell Pope's House of the Temple

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John Russell Pope was a master architect of the early 20th century whom many of you are probably familiar with. Here in Washington we are lucky to have many of his masterpieces and get to pass them and occasionally enjoy them in our daily lives. One of these that all of us are familiar with but few have been inside is the House of the Temple, headquarters of the Scottish Rite (Masons), located on 16th street in Dupont Circle.
Our local chapter of the ICAA conducted a tour a few months ago and has another coming up next week (information on that tour here). Unfortunately I wasn't able to attend the prior tour nor the upcoming one but my friend, Architect Erich Stanley, was good enough to share his pictures with me (and subsequently us!).
 Pope based the design on the Mausoleum at Halicarnassus and it was completed in October of 1915.
Before heading inside I thought I'd share some of the extraordinary details on the exterior.  The building is quite the attention grabber and I never pass the building without noticing many people stopping to admire it. Notice the huge scale of everything in relation to the handrail above.
Pope won a gold medal from the Architectural League of New York in 1917 for his design of this structure and it quickly became widely known at the time. It has since become one of the most beloved landmarks in the city.
Knowing Pope every detail is just right, highly studied, and faintly unusual. The Egyptian influences are hard to miss.
For those of you not familiar with Washington, this is a prime location in the city, about 1 mile directly north of the White House.  Most of this neighborhood was built up around the same time period and gorgeous buildings line the avenues.
Primarily residential, the Avenue hosts many apartment buildings and grand townhouses (seen in these images taken from the Temple's roof), with hundreds of townhouses lining the side streets. This is ground zero in Washington real estate!
 The drawing above shows the very logical plan devised by Pope - the essence of any Beaux Arts design.
The entrance lobby hints at the details yet to be seen. Notice the beautiful marble Greek Doric columns and all of the many custom light fixtures.
 Don't forget to look up as the ceilings are as detailed as the floors and walls in most spaces. All of the light fixtures were designed by Pope's office expressly for the temple.
 Beautiful Egyptian revival murals surround the space.
 The enfilade effect of the side halls is really a striking part of the design itself.
The building is maintained to within an inch of its life. People don't take as good of care of modern buildings as these ornate Classical structures do they? Just had to point that out..... They're just not as loved.
 The entry to the sanctuary (correct wording?) is of course the grandest facade in the building.
Even the details of the simple library are stunning. Notice all of the custom light fixtures and the pilasters separating the beautiful wooden shelves.
 This paneled conference room is a cozy space despite being so grand.
 All of the furniture was also designed for the space -see the table base above.
 As with any classical Pope designed structure, Greek keys run rampant throughout the space.
 These solid brass door surrounds may be one of my favorite things in the building.
 No surface forgotten or unadorned; this is a temple after all.
 I don't know which light fixture is my favorite but this one might be the one.
 Notice how well polished even the most ornate brass details are; not a job I would want to have!
 I love the lines in these Egyptian revival murals, with multiple Greek key borders no less.
 I'm not sure if the base of this floorlamp in the main stair is more interesting....
 or the top of the same floorlamp is better. I guess it's all just great?
 The wood details are as extraordinary as the stone and metal ones.
Notice the brass portiere hardware in this doorway; imagine this with thick velvet curtains in a vivid hue which I'm sure it once had.
 More and more details!
 This sconce is everything...or at least has a bit of everything.
 Natural daylight is to be found in the deepest recesses of the temple -this skylight is amply sized (and detailed again to within an inch of its life).
Not all spaces are highly detailed however. The building is built of structural Guastavino tiles which were popular in the day. They're so beautiful it's a shame they often get covered up!
Don't miss the ICAA tour next week. If you can't make it don't miss this virtual tour online HERE or plan your own visit to the public spaces HERE!
Thanks again to Erich for supplying us with his gorgeous photography!

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