Showing posts with label Cranbrook academy. Show all posts
Showing posts with label Cranbrook academy. Show all posts

Cranbrook Academy of Art tour

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Cranbrook Academy was the brainchild of philanthropist (and newspaper man) George Booth. Sited on his property in Bloomfield Hills, Michigan, in the suburbs of Detroit the 319 acre lot has been filled over the years with an art academy, a boys school, a girls school, art laboratories, a world class science and history museum, as well as an art museum.
Booth brought on renowned Finnish architect Eliel Saarinen to help him not only develop the campus architecturally but the mission of the multi-faceted academy with a seemingly endless budget. See my previous tour of Saarinen's house on campus HERE.
Sculptures by Carl Milles dot the lush gardens and many water features. Milles had moved from Sweden in 1931 to be sculptor-in-residence at Cranbrook and remained until returning to Sweden in 1951.
The campus came at an intriguing time in architectural history. It started as rather arts and crafts in the 1920s, played with Art Deco in the 30s, and the later buildings from the 40s and 50s are a precursor of the International movement.
Artists are still in residence in the Saarinen properties.
Fragments of antique sculpture are embedded into the brickwork on the older buildings.
The different areas of the campus each have defined portals or gateways like this arch into the boys and girls schools (a middle school run by Episcopal diocese).  The inscription wisely reads "A life without beauty is only half lived".
No 2 details are alike.  Have you seen such interesting Ionic capitals before; the art-deco influence at work.
Notice that each bracketed capital is completely different!
I loved this cloistered garden off the infirmary.
The ironwork found throughout the campus on multiple gates and fences are incredible.
While there are many disparate styles and ages to the buildings they all work together.
Around each corner is a surprise: a sculpture or fountain.
The Boys and Girl's campus have this lovely stone pergola.  Imagine it with roses or wisteria!
As you can see in my snapshots we had unusual weather ranging between hail, flurries, and sunshine.
The tower seen above was really intriguing and could be seen throughout the campus but I don't know what purpose it served.
The building on the right which looks like a chapel had these intriguing paneled stone entries.
Another beautiful sculpture and water feature.
Many of the buildings are connected with covered walkways. This one was intriguing with little domes inserted into the poured concrete surface.
More amazing ironwork.  Everything was done on site by artisans living on campus.
These doors led to what appeared to be a chapel but is actually the dining hall. Check out those lamp posts!
Place of worship of food.
This shot above sort of connects all of the previous pictures of the kid's campus area so you can get a sense of how they relate to one another.
Another 'entrance' from what was originally intended to be the public entrance (but was never used) is this lovely telescoping arched breezeway which leads to the arts academy.
The telescoping of the breezeway makes it look much deeper than it actually is by forcing the perspective. The brickwork is really lovely, a sort of herringbone ceiling pattern.
And like I said the details are everywhere.  A pair of centaurs led down to somewhat forgotten water garden.
These were intended to be the main gates at the public entrance leading to the museums but proved too difficult to monitor people coming and going off campus.
This 2nd century roman capital lies in a courtyard where Ray and Charles Eames had their workshop designing much of their famous furniture we all enjoy today.
The art museum was hosting a graduate exhibit with some really interesting projects. I was all eyes for the architecture however and loved these travertine stairs -notice the integrated handrail detail.
I did love this student project.  The tent was painted with scenes of the forest and a speaker played sounds of crickets.
Another project by an architecture student was an outdoor pavilion with intriguing plays of light and color through a skylight playing on sheer curtains.
Another great detail in the basement of the art museum was this curved metal barn door; not from Saarinen I don't believe but a modern addition.
Antique stained glass in the lobby had wonderful views of the garden.
The site is constantly changing.  It's a living, breathing arts campus and not stuck in time.  Buildings have modern but sympathetic additions and modern sculpture dots the landscape along with the original artwork.
This addition behind the museum was particularly successful I thought in being of today but melding nicely with the old.
And not to fear, the modern buildings also have thoughtful details like this rainchain instead of a downspout.  Notice the lovely patinated copper gutter.
If you're ever in the Detroit area I highly recommend a visit to the Cranbrook  Academy of Art, you won't regret it!

Saarinen House at Cranbrook Academy

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Last weekend I had the pleasure of visting Cranbrook Academy outside of Detroit. This renowned art school was partially the brain child of architect Eliel Saarinen, president of the school from 1930 until 1950.
Design runs in the family: the architect's wife was artist and weaver Loja Saarinen (who also taught at the academy) and their son would become well known industrial designer Eero Saarinen ( of the ubiquitous tables and chairs). 
It was rather a gloomy day unfortunately but the snapshots capture the circa 1930 house well (I'll blog more on the rest of Cranbrook Academy later this week).  Saarinen designed the president's house to fit within the compound and not stand out although great details abound: textured brick, leaded glass windows, etc. 
Shall we go in?
 The modern art deco interiors would have been unlike anything Detroit natives had seen in 1930 (perhaps with the exception of Frank Lloyd Wright's work).  Saarinen brought the stream-lined style straight from Finland. One enters into a small stairhall where portieres (curtains at interior doorways) provide privacy between living spaces.
As academy president Saarinen would have hosted academy functions at the house and even taught architecture classes in the studio which I'll show a bit later.  The recessed mirror, furniture, and every detail were all designed by the Saarinens and have recently been magnificently restored.  Until recently the Academy president still inhabited Saarinen house and many changes had been made over the ensuing decades. Now it operates strictly as a museum and was taken back to its 1930s appearance.
 I loved the stepped ceiling detail with Saarinen's version of the now ubiquitous recessed light. These were all made on site.
To the left of the entry is the stair up to the family quarters as well as a cloak and powder room at the end of the hall.
 The living room has been recreated from photographs with original furniture still owned by the Academy and the Saarinen family. All of the textiles were designed and woven by Luja.
 Even the light fixtures and tile fireplace surround were designed by Eliel.
 A small library nook is off the living room providing ample natural light; Notice the unique pendant fixture.
 The cocktail table with an integrated globe was one of the more popular items of furniture, although hard to capture in the lighting.
Loved this sculpture on a zebrawood (?) plinth. All of the furniture was designed by Eliel and made on site utilizing high quality veneers.
Through another set of portieres sits the dining room. The wall paneling and recessed niches had all been covered over with drywall until recently but luckily sat undisturbed and in original condition down to the niche's red paint!
The table, designed by Eliel naturally, expands to seat 14.  I loved the light fixtures a throughout the house which provide great ambient/indirect lighting.
While the kitchen has been long gone enough of the butler's pantry survived to be recreated down to the original refrigerator on the left! Notice the small pass through into the kitchen above the metal countertop.
Through portieres on another wall of the living room lies the studio where the Saarinens would meet students for classes. The first floor was a busy, working space much like the White House or any university President's house -not a private home!
 The large and bright space would have been filled with drafting tables and such by day. They could all be pushed aside, the drawings stored in built-in cupboards, and the room quickly prepared for large events and parties.
 A seating nook at the far end, closest to the living room, provides a more intimate seating area.
 The students had a direct door into the studio from the architecture classroom building.
 For parties this piano designed by Saarinen would provide endless fun.
 As would this built-in record cabinet -the speaker is behind the fabric panel below.
The seating nook features textiles and rugs designed and woven by Loja. The artwork on the walls comes from numerous past presidents of the Academy and are not original to the time of the Saarinens.
 The small green bust in the window beyond is of Eliel.
 Up the staircase seen earlier in the post is the private family quarters. This seating nook was where the family could relax privately and had breakfast daily (toast and coffee only). 3 bedrooms in addition to the master bedroom provided quarters for 2 guests as well as their son Eero.
 The art deco motifs painted on the doors were recreated from photographs.
The spacious master bedroom features another seating area as well as one of Eliel's most well known furniture designs -the tea height table with ample storage.
 Twin beds are decorated with 30s era ruffled linens.
It surprised me that the very stream-lined Saarinen's (Loja in particular) would have ruffled curtains and bed linens which were so popular at the time period.  The lamps and mirror on the dressing table in the window were designed by Eliel.
The window is flanked by built-in storage cabinets which feature pull out drawers broken into little cubbies. All of the dorm rooms on campus feature similar cubbies in drawers which students RAVE about years later as they provide for very organized storage; A cubby for each pair of socks, etc.
The original master bath is still in place! Given how small bathrooms of the time period generally were I was surprised to see such a large space.  The room is as big as the bedroom and features separate his and her vanities, a separate water closet for the toilet, separate shower (seen above), and a large soaking tub in the center of the room.
The ceiling again features a telescoping design with Eliel's version of recessed lighting. The house is an art-deco gem; one expects Fred Astaire to come dancing into the room at any minute!
Tours are given daily but limited in size. If you ever find yourself in the Detroit area I would highly recommend a tour of this Masterpiece!  See more on the website HERE.

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